A Semantic Analysis of Sylvia Plath's Poems “Ariel” and “Lady Lazarus” through Leech’s Model of Semantics (1981)

Abstract

The research paper aims to conduct a semantic analysis of Sylvia Plath's poems "Ariel" (1965) and Lady Lazarus (1965) by employing Leech's Model of Semantics (1981). Semantics is the study of the investigation of meaning communicated through language. The study intends to investigate the intricate layers of meaning in the selected poems. Therefore, the study deals with certain research questions based on How does the study of meaning help the readers to understand the contextual background of Plath’s selected poems “Ariel” and “Lady Lazarus” and How does Leech’s Model of Semantics facilitate seven layers of meaning and complexities inherent in Plath's poetic expression? The study utilizes a non-empirical research method with a descriptive approach to interpret the data; the researchers used content analysis technique to address the research objectives. The results and findings are based on seven layers of meanings including, denotative, connotative, collocative, affective, social, thematic, and reflected dimensions in Plath’s selected poems and confirms the credibility and applicability of Leech’s Model of semantics (1981). Lastly, this research enriches the multilayered meanings of Plath’s artistic language and contributes to a deeper understanding of Plath's struggle and conflict by tracing her poetry as evidence for the study. The study invites the readers and future researchers to explore Plath’s poetic expression and language within the broader framework through understanding the deeper social and cultural contexts.